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I'm just a human being after all. Going into the next show I had no sleep because of all the nerves and anxiety, but it was fucking amazing.
With every following show I would get stronger and stronger and grow more confident, and aware of the fact that yes, we will do this.
While many bands might be concerned with how to follow up a record as devastatingly powerful - and successful - as Evangelion Nergal faced no such doubts. Evangelion was a very important record to us, and yes, it was very successful too, but in making The Satanist it wasn't a point of beating that. The point was to do what was organic, and make a natural and honest and sincere album, and that's it.
Now the record is finished I like to think of it as an album that is just so different that you can't really compare it to our previous works, which is the best outcome I could hope for. With layer upon layer of sound it has great sonic density, but there is intricacy to this, and nothing is forced or contrived.
It's the same story with the records - we supply the elements but we just don't know how these elements mixed together are going to come out, and I think it's fortunate that we don't have one hundred percent control over it!
It makes for something special. It's very straight up, very sincere, and a devastating, conquering statement. There's no compromise or bullshit or gimmicks. What I love about it is that it just speaks for itself.
On one hand it's a very black and white title: The Satanist is like a fucking nail through the hand of Jesus Christ, period. No more, no less.
But then again, as with everything else you put a hundred people together and ask them what the name The Satanist means to them and you're going to hear a hundred different opinions, which they can then discuss and fight over.
People always like to have a deeper insight into what we do, but that's not what we want to give with this record. The way I see it is that between us we can make a huge fucking pyre and set the world on fire, but what we're doing is just giving you the matches, giving you the spark, what you want to do with it is up to you. Personally, if I sat down with the lyrics in front of me I too would probably come up with a lot of different interpretations and concepts, it's a never ending process, and that's exciting to me.
If ever a band was to go out on a high The Satanist would make for one hell of a swan song, but don't expect them to disappear any time soon. It would be one record and no more, and there was something about that that had an appeal, but y'know what, it doesn't work like that for individuals like myself.
Hunger has always driven me through life, and I can never sit in one place and relax for too long because I have the need to explore this whole universe in every possible way.
Now, over two decades later it's the same story.
I can tell you I have no problems with finishing my career after this record. Just say the title itself: How the fuck am I gonna beat that title?
It sounds like the ultimate definition of our art - but then again, I remember that conversation with Baal, and I know it doesn't work like that, so I know there will probably be other incarnations of our artistic identity, one way or another. All I know is I love being here and now, and I just want to underline that I couldn't be more proud and happy with my own music. It really drives me through the day, and now I just want to sit back and hear any and all opinions of it.
Since then, the band has released "Evisceration Plague" and "Torture" - both included future classic Corpse cuts, reaped praise from press and fans across the globe, and both accumulated sales on a level rarely seen in death metal.
In direct contrast with the "decline" of the music industry, Cannibal Corpse appears to be growing in popularity. The campaign beings in the summer of as Coldcock Herbal Whiskey Stage headliners on the Rockstar Energy Drink Mayhem Festival, immediately followed by the release their thirteenth studio album: Cannibal Corpse approaches each recording session with a honed and precise vision of a band in their third decade of existence.
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With this new entry to their extensive catalog, they have switched gears, opting to work with producer Mark Lewis at Audio Hammer Studios, after having tracked their previous three Kill, Evisceration Plague, Torture with Erik Rutan.
Mark Lewis is a name metal fans have surely heard at this point; he has produced recent albums from The Black Dahlia Murder, DevilDriver, and many more. Sonically speaking, the result this time around is a massive, belligerent, and deliberate aural attack.
Preparation for "A Skeletal Domain" did not vary significantly from previous efforts. Mark Lewis offered a slightly different, modern recording approach, but the band stressed that they could not be more pleased with their previous albums with Rutan, and the door is most definitely open to work with him again in the future.
Launchpad - Behemoth * Cannibal Corpse * Aeon * Tribulation
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Behemoth * Cannibal Corpse * Aeon * Tribulation
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