Jack choices concering Ianto and Gwen - Torchwood Meta
personal information, including your religious or political views, health, racial background, country of origin, sexual identity and/or personal relationships. But here Torchwood had a surprise for us: Tosh's relationship with a woman is . On the positive side, Jack and Ianto's love story isn't portrayed. This is not a Ianto versus Gwen topic in who you pick this is all about Jack and Moment 2 Combat Jack tells Gwen to go home to Rhys and takes Ianto with him However, he obviously wants Gwen to maintain her relationship with Rhys and .
On the character's evolution from minor character to romantic interest,  Gareth David-Lloyd has commented that "To have a storyline where you're involved with the leading character for any actor is awesome.
I think he lost meaning. He was tortured and Jack gave him that meaning back. And reliability that he'll always be there, I think. So, it's really great and I think that's what makes him warm to other people.
It makes him more approachable. Ianto's always bearing his emotional side and vulnerable side and keeping his feet on the ground.
I think of all the characters, he's the one who tries to keep everyone else's feet on the ground. He brings everyone back to reality, often with a dry, witty remark or taking a dig at somebody just to sort of bring people back down.
At the moment, I think there's two different sorts of love going on there.
Geek Pride: Captain Jack and Ianto
To him, Ianto views the relationship as "serious and committed", as seen in " A Day in the Death " where he tells Owen that it is not just about sex.
However, from dialogue in " Something Borrowed ", Walker believes that Jack appears to equate his relationship with Ianto to nothing more than a "recreational activity".
Walker also notes how important it was for Ianto when he cut in to dance with Jack, as this is the first time that his relationship with Jack is presented before the rest of the crew. I can't help it, though. I've never been much good at casual.
Encountering Ianto's spirit at a haunted location in Wales, Jack and Ianto are permitted a final goodbye. Without Ianto in his life, Jack wishes to be swept up into the Rift as it closes in an attempt at suicide. Ianto tricks Jack into leaving the House of the Dead, however, despite the possibility of resurrection. As they are forced to part forever by the closing of the Rift, the couple declare their love for one another for the first and last time.
Because Ianto's storyline grows out of the reality of the show, "it plays with such genuine sympathy and pathos that Jones's eventual fate is easily the miniseries' most powerful moment.
They compared the death scene to that of Tara Amber Benson in Joss Whedon 's Buffy the Vampire Slayer which he felt was more satisfying, although "unbearably sad" because of its pivotal role in the character arc for Willow Alyson Hanniganand as being "possibly the single most significant event in the whole seven-season series.
Den of Geek felt the real tension of knowing any character could die, however popular, was "refreshing" in comparison to impossibly death-defying characters such as 24 's Jack Bauer Kiefer Sutherland. Ianto's death was compared to that of Tara as in the above critiques, but also contrasted to other television series where lesbian and gay couples were able to have enduring relationships, such as Six Feet Under 's David Fisher Michael C.
Hall and Keith Charles Mathew St. Ianto's death can be argued to be a dramatic necessity which adds to character and narrative development. The article intentionally avoided making a definitive conclusion as to which "side" of the argument was correct. These latter deaths are described as even more heartbreaking than Ianto's, and Young argues that these character deaths tell us more about transatlantic differences in storytelling than about portrayals of sexuality.
The website End of Show comments that "writer James Moran was so inundated with messages to his Twitter account that he posted a number of impassioned pleas to tone down the vitriol. Moran declared the response from other commentators to be unacceptable, describing their conduct as the spewing of insults and "passive aggressive nonsense". He noted that fans had accused him of deliberately trying to "mislead", "lie" and "hurt" them, said that he hated them, was "laughing at them" and "slapping [them] in the face", and claimed that he had "killed the show", had attempted to drive away existing fans to court newer and "cooler" viewers, and had deliberately hurt depressed people "with dark storylines.
Walker herself had felt that the end of Jack's relationship with Ianto could "change the show beyond all recognition. The same reviewer notes that however, "especially when viewed on its own, Children of Earth looks a lot like the same heteronormativehomophobic, biphobic and gratuitous tropes that appear in so many bad representations of queer people in popular culture.
Asked to respond to viewers who felt "cheated" that Jack and Ianto's relationship did not come to fruition, Davies said: That's the point actually. Both in fiction and in life. When someone dies you lose all that potential. You grieve over everything they could have been. Everything you hoped for them. Everything they might have achieved with their lives, everyone they could have loved. Every job they could have had. Every joy they could have had.
The fundraising site states that "Though we, his devoted fans, still hope that he'll come back In the series, he died saving the children of Earth; so it seems fitting to honour his memory by helping the Children in Need.
John Barrowman described the charity campaign as "a fun way to mourn Ianto" and stated that it was "the kind of thing that's really appreciated". He replied "There's a campaign, because he was a coffee boy. But do you know how many packets of coffee they've received so far? So I think people writing online might sound like thousands of people, but they are nine. What's actually happening is, well, nothing really to be honest.
It's a few people posting online and getting fans upset". He also stated that the character was gone for good, and that his resurrection would devalue the "entire plot.
There have been nine packets sent. I'm not taking the mickey, but that's a very small number. At the end of the day, I make drama to support each author's vision.
It's not a democracy. Whether people like it or not, it's storytelling. Brew also expressed doubt that the fans stating they would boycott a fourth series will do so.
Neil Wilkes opined that this action by the fans "suggests the answer to the question 'Have people overreacted to Ianto's death? Later, a footnote amendment noted that Gareth David-Lloyd stated he was very disappointed in those fans, whose message board conduct he does not support at all and called "completely unacceptable".
David-Lloyd added that he "would hope the writers would be able to ignore comments like that". In their comments, fans pointed out that his article disproportionately highlights what they called the "ill-conceived, knee-jerk reactions" of a few individuals, and stressed that these reactions in no way represent the movement to bring Ianto Jones back, which they hold as fundamentally respectful towards the show's actors and writers.
In response to a question, Fay also stated that he had not been affected by the "scary" fan reaction, maintaining that "a universe in which fictional characters aren't 'allowed' to die is ridiculous and limiting". For example, comic book writer Peter David cited the reaction to Ianto Jones's death when reflecting on where to go with the gay relationship between the Marvel Comics characters Rictor and Shatterstar in X-Factor v. He opined that in "virtually any happy relationship", one of the characters has to die to "provide angst" to the more major character.
His concern was "being tagged as against gay people", the way Russell T Davies was, even though Davies is himself gay. Some lean more toward men or women while still being attracted to both. Despite the equal opportunity snogging, the bisexuals are pretty invisible so far. Carys needs to have sex with men, and any man will do. At the end of the episode she goes on a sexual rampage through a sperm donation center. Sex with an unwilling and presumably limp man is realer than what two women can get up to according to the show.
But here Torchwood had a surprise for us: This woman, Mary, turns out to be an alien who is manipulating Tosh for her own ends, but claims at several points that the feelings she has for her are real.
Whether this is true or not is debatable. Kudos for that and kudos that none of the characters expressed surprise, shock or confusion when learning that Tosh had a relationship with a woman.
Unfortunately, those are all the kudos I have to give for this episode. To date, there are only three other women on the show that are identifiable as lesbians or bisexuals, and two of them are by implication. Other than these minor moments, queer female sexuality and relationships are noticeably absent from the Torchwood narrative. Compare this to how much screen time gay and male bisexual relationships get.
We never again see Tosh crush on, fall in love with, or even mention a woman as a past or potential lover.
There are several episodes that focus on or mention her attraction to and eventual relationship with Owen plus a charming episode where we find out she has a thing for a soldier from World War I who is kept in cryogenic stasis in the Hub To The Last Man. Again, not all bisexuals prefer men and women equally, but the problem is that of imbalance in representation. Thus, her bisexuality is made invisible.
Mori told IF Magazine: It has nothing to do with that. She just happens to come across as someone she connects to and she just happens to be a woman. Not in a million years, did she ever think she would sleep with a woman, but it was about a human connection and a deeper connection. Because for her, at the I think she was in a vulnerable place and Mary just happened to be the one.
Invisible Bisexuality in Torchwood | Apex Magazine
And here was a person that she could connect with, and she happened to be a woman. This is what Toshiko is all about. One where sexuality is widely accepted as fluid, and even if a person is normally attracted to the opposite sex, they can find themselves attracted to someone of the same sex under certain circumstances.
As a writer of fiction myself, I often advocate that science fiction and fantasy authors should depict the world they want to see as often as they reflect the troubling aspects of the world as it exists now.
Still, the realness of his bisexuality is, at first, supported by the show as well as by the actor himself. At least one author of an officially licensed tie—in novel understood Ianto to be bisexual. But, as always happens with Torchwood, things fall apart in the final act. She dies at the end of the episode.
On screen, we never saw Ianto struggle with his attraction to Jack in a way that made it seem like being attracted to a man was new for him.
The question of whether Ianto was always bisexual or just went gay for Jack has a different answer depending on who you ask. And because of that, you have, in a world that likes its nice shiny labels, no true identity. One might argue that Ianto simply lied. After all, he dies for the purpose of giving a more important character angst and heart—rending development, a role all too often assigned to the character who belongs to the most marginalized group. And Gwen is the heteronormative standard—bearer.
So Ianto it must be. If we count up the relationships Jack engages in, the numbers come out pretty even between men and women. If you count up all the relationships we get to see happen on screen, more of them happen with men than with women. Other than Gwen, all of the ones with women happen off—screen. All of this happens off screen. We rarely see Jack in romantic or sexual entanglements with women. Men are a different story. Is it so hard to pull a woman? He reaches out for emotional comfort from Gwen, sure, but never any other woman that we see in the entire course of the show.
From the very beginning Gwen is in a long—term, monogamous  relationship with Rhys. After she ends it with Owen, she reaffirms her commitment to Rhys and to heteronormativity by getting engaged and then married. And when he reaches out to her, desperate for a connection that binds only the two of them, she drops it without hesitation to reestablish contact with her husband and child.
As a viewer on the outside looking in, I can see that Jack and Gwen will never be together.