The Inimitable Rapport of Gillian Welch and David Rawlings - INDY Week
Gillian Welch and David Rawlings' long-awaited collaboration The Gillian Welch and Dave Rawlings performed a few songs for us in July .. So we've actually done it live a couple times. A group of Boston-based volunteers have traveled to Tijuana to offer legal advice to some seeking asylum in the. Dave Rawlings and Gillian WelchMike Warren Gillian Welch and Dave was part of the show — a rare and beautiful simpatico relationship. Gillian Howard Welch is an American singer-songwriter. She performs with her musical partner, guitarist David Rawlings. . Both Welch and Stiff ignored frequent advice that Welch should stop playing with Rawlings and join .. She explained her relationship with traditional music by saying, "I've never tried to be traditional.
They felt like music had moved on quickly from there, and that they had plenty of room to explore. Certainly, you think about people who did a great job as a duosomeone like Simon and Garfunkel, but that was one instrument, primarily," Rawlings says.
Gillian Welch & David Rawlings "The Way It Will Be" - SongChops
Welch was unavailable to say her piece on the matter. Rawlings says that, early in his career, he was more focused on being a great guitar player than a songwriter. But he accumulated a respectable batch of songs he liked, and in released Friend of a Friend as Dave Rawlings Machine. Welch still makes essential appearances on Rawlings's recordsshe co-authored Friend of a Friend's sparkling " Ruby ," played drums on much of 's Nashville Obsolete, and sings harmonies all across his catalog.
But the lines between a Welch song and a Rawlings song have always been more than a bit blurry.
The Inimitable Rapport of Gillian Welch and David Rawlings
Rawlings says that even though they've both connected deeply to particular songs they've written together, they've usually been able to figure out who should take the lead; doubtless, there's a bit of intimate mystery in deciding what songs end up where.
Though they're both Welch songs in name, Rawlings is actually the one leading the melody on the former, and the two evenly split the vocals on the latter. On Poor David's Almanack, released in August, they stretch their duets even further. That's a brand new kind of feeling," Rawlings says. Some of the evolution of Welch's and Rawlings's "solo" vehicles has reflected their own natural growth as songwriters and musicians.
Gillian Welch & David Rawlings: The Fresh Air Interview | WBUR News
Rawlings says it used to be that, if they wrote a song they weren't sure about recording for themselves, they'd give it to another artist. We know something happened to get them there. Give me something to hold on to. Who you are will keep coming back on you, and I understood it.
You might need that someday.
Implied despite no word change I can give you something to hold on to. As a songwriter, outlining your song can open up new structures because the structure ends up serving the message, or your intent for the song.
- Gillian Welch
- Gillian Welch & David Rawlings “The Way It Will Be”
- Gillian Welch: 'A lot of the songs are done in one take. Maybe two'
Another great example of form following function. Using a true anaphora, or direct repetition of a phrase at the beginning of a line, would have sounded a bit stiff given the music. Brilliantly, Welch uses a slight variation. As a result, she achieves the same effect, but avoids it sounding clunky in her lyric. Gillian Welch and David Rawlings do that here with the first couplet 2 lines in the first Verse [A] [A] tying directly to the Chorus by using the [A] rhyme at the end of the first line.
Linking the Verse and the Chorus is a way to help the listener remain connected and seemingly move them through the song more quickly.
With a BPM of 70, this rhyme pattern helps keep the song from dragging. Notice too that the rhyme pattern of the Verse and Chorus are different. This differentiates the two song parts and gives the song an additional dynamic.
Also helping to maintain the pace is the use of internal rhyme. Internal rhyme is a great device to add a steady flow to the lyric and help keep the song moving.
Ideal for a slow tempo song like a ballad. This is one of the main reasons I add punctuation to my lyrics.